Redin soupira et tapota le côté de son carnet de notes contre les dalles de pierre du sol, tout en repassant encore une fois les évènements dans sa tête. Il avait décidé il y a quelque temps de cela de s’empêcher de travailler en dehors de ses heures prévues, mais cependant… il restait un archéologue, un érudit, quelqu’un qui vivait pour la poursuite et l’obtention du savoir. Et ce qu’il avait trouvé aujourd’hui, dans cette tombe ancienne… cela surpassait potentiellement tout ce qu’il savait.

Le mécanisme ne correspondait pas à l’architecture ou aux motifs environnants. L’érudit s’assit, ouvrit son journal et feuilleta les pages, son regard passant sur les croquis précis et concis de frises, bustes, cartouches, fragments de vitraux rassemblés en un tout cohérent… des dieux anciens et contemporains, des temples bien entretenus et en ruine. Des notes sur la thaumaturgie, son fonctionnement et ses fondamentaux, des idées et informations à propos de cette nouvelle civilisation qu’il avait découverte et puis, soudainement, sept pages de gribouillis et erreurs, une esquisse qu’il n’arrivait simplement pas à dessiner correctement.

Il n’attendait que lui, toujours au milieu de la même pièce, placé dans un creux d’un sol par ailleurs lisse, fait de pierre noire luisante traversée de veines d’un vert blanchâtre. Chacun de ses croquis ratés était très ressemblant, mais il manquait une partie centrale, vitale, et à chaque fois qu’il essayait de la découvrir, il sentait qu’il ne faisait aucun progrès. C’était comme si le dispositif bougeait lorsqu’il regardait ailleurs, ou que, selon l’angle, sa structure même paraissait changer… l’érudit scruta de près la chose, toute en métal doré scintillant pareil au zinc poli, et commença à tendre la main pour récupérer sa plume et son encre.

Mais il s’arrêta. Cela n’aiderait pas, et il avait déjà demandé aux soldats d’installer ses quartiers ici, dans les ruines, afin qu’il puisse se remettre au travail dès l’aube. Il soupira à nouveau, ferma son journal en un claquement sec et s’étendit suffisamment loin de lui de façon à ce que cela soit une corvée de tenter de le récupérer, avant de tirer les couvertures sur lui.

La chaleur du soleil ne pouvait évidemment pas pénétrer aussi profondément à travers la pierre dure, mais une autre chaleur irradiait sans conteste depuis la terre située en dessous. Redin ne l’avait pas remarqué auparavant, mais tandis qu’il était étendu, réorganisant et archivant ses pensées et découvertes de la journée, il prit conscience d’un rythme lent et pesant provenant de quelque part au milieu des ruines, doux et lointain, tel le battement de cœur d’une bête gigantesque endormie. C’est ce battement lourd qui le berça jusqu’au sommeil et l’emmena jusqu’au monde des rêves.

Et quels rêves ce fut, grandioses, fantastiques et horribles à la fois. And what great, fantastic, terrible dreams they were. At once they played out in full yet felt as only small, insignificant fragments: massive structures, works of architectural and societal hubris that he recognized yet couldn’t say he had seen before. Names and deeds that sounded familiar, yet not from his own waking world. Redin stepped through the halls of these ruins, yet the civilization that built them was in its prime. The people here had skin like smooth, sweet molten bronze, and when they spoke their words and syllables swung and swam together, lyrical without even trying. They spoke to him, welcoming him forward, beaming and grinning as though they had been awaiting his presence for a long time.

They beckoned him forward, and there in the center of the room before the golden device with its strange angles and nonsense concavo-convex mechanics, stood a hooded figure. He lifted his head, and Redin could still see no face beneath the twisting, swirling fabric, sheer yet solid as though it were woven from cold, shaded water. It looked at him though it had no eyes to see; it tilted its head, appraised him up and down, then spread its arms – then spread a second pair, and a third, the crux of each along the same pair of shoulders.

Redin felt no fear. In awe the scholar stepped forward, only now aware that the figure, the priest, the deity, perhaps, stood a full arm’s breadth above his head. One of those arms came forward and the seven-fingered hand spread out, reaching for his, beckoning him forward. So the scholar looked from the hand, to the figure’s blank face, to the device behind it, the inner mechanism – in the physical, waking world missing – spinning slowly.

He took the hand, and each of those seven fingers wrapped gently yet firmly about his palm. The device spun faster. A low hum issued; the arms of the device creaked and spun and shifted, and…

And Redin woke up, mind already working far beyond his body. He scrabbled for his journal, remembered he had placed it away, fetched it – and then without even dressing in his robe, stepped over to the dismantled device, the vital center portion, the engine, so to say, missing. And he sketched the frame, the exterior, the binding arms, the gear workings, technology inspired and otherworldly. There in the center waited a gap, noticeable to him now yet unidentifiable before.

So he paused, chewed on the end of his quill, and then sketched out that part, too. It just – made sense, and like so many times before, Redin felt like a fool in how he couldn’t see it before. He dressed, had a simple breakfast, and called for a basic shipment of parts from the surface portion of the camp: though the device’s workings were strange and intricate, built around dimensions of thinking and engineering that he could hardly try to conceptualize. But, still, it made sense. It wasn’t some special alloy, as it was still liable to rust, tarnish, breakage, and battering. So the things they had around the camp would still work, so long as he pass them through the smith first.

As Redin sat back down beside the device, getting a look at it from a lower vantage, he couldn’t help but smirk. His brother was a watchmaker; perhaps that discipline would help in the understanding of this device. Even though he had finally managed to sketch down the device and work a feasible blueprint of its setup, still the scholar had more to do. He set his inkwell beside him, unscrewed the top, laid out his other scrolls of study, and got to work.

~ ~ ~

Amala sighed as he scuttled down the hallway, all of these certainly fantastic carvings and remarkably intact structures dimly lit by the torches set up in their sconces along the walls. Master Redin had specifically ordered the freestanding holders, as he wanted to preserve the original beauty and integrity of the structure – which was fair. It was just that the standing sconces were much heavier to move and harder to swap out than the wall-mounted ones.

This would be Amala’s fifth venture today up and down from the surface, and as far as ancient ruins went, these were expansive. His calves and thighs burned just from yesterday’s work, and now the good scholar was sending him back and forth, back and forth, fetch these pieces, bring me this, bring me that, I need a new stick of charcoal, will you heat my tea? I need a gem. I need a hammer.

I need slate. Slates. Several. Ah… twenty, perhaps?

Absurd. He grumbled under his breath and shifted the pack over his shoulder one more time. Since then Master Redin had asked for two more batches of twenty, and wouldn’t let the poor scribe into the room each time he returned. Whatever it was he did in there with all of these slates – well, he might have to start paying out of his own pocket to recover the stores.

This was the last turn of the hall, though, and for a moment Amala considered dropping the bag and throwing it the rest of the way. Thinking about how Master Redin had yelled at him when he had just leaned against one of the walls, though… he heaved another sigh, continued forward, and rapped the back of his dagger against the solid stone of the door, knowing that his knuckle would make no audible noise. That, and it still ached from all the times he had done it before. So he knocked, and waited. And waited. And waited some more.

“Master Redin?”

Nothing. Amala frowned, put an ear to the crack in the threshold, listened for a moment… then shouldered the heavy, carved stone open, the bag of slates sliding on his shoulder. With a grunt he dropped it down right next to the door and was just about to turn to leave – his master often fell asleep on the job, then cited the instance as inspired meditation – when he saw the scholar himself leaning over that strange contraption in the middle, seeming to glow with a light all its own.

“Master Redin, is everything-”

Amala trailed off. Spread about the pedestal foot of the device were all of those slates from before, many of them shattered, broken, sheared apart; many more crudely carved and scribbled; and then, in a neat pile, a handful that seemed carefully, deliberately formed, reduced from their oblong rectangular nature into a clean circle, edges ridged with some indecipherable glyphs in the center. Redin held one of them now, fingers rolling over the edges with anticipation. The scholar licked his lips, looked down at the slate, then stepped around to the console of the device, with the slight indention that seemed, right there…

~ ~ ~

…to perfectly fit the stone he had carved. He couldn’t remember doing many of the others, but still the evidence littered the room around him, botched and failed, not quite right. Inspiration had a tendency to hit him like this, when everything all of a sudden made sense. The device worked similarly to thaumaturgy, in some ways, but the one way to see would be to run it. And he finally had the key. Redin swallowed, peered into the center of the device – his haphazardly assembled core would likely work only the once – then pressed the stone tablet into the console. At first, nothing happened.

And then, in a moment of powerful, dizzying vertigo, it started to spin. Or, really, it felt more like the world around the device spun and twisted, while the device itself held still. Redin found himself grabbing onto the console for support, while a shout from the back of the room alerted him that someone had broken his privacy against his express whim to be left alone. He cast his head over his shoulder to shout – it looked like Amala, his idiot scribe – before another noise from the device drew him back, the same low, constant whirring that it had issued in his dream.

For a moment there was a flash of something else, of some great, three-meter figure with six arms, each capped by a seven-fingered hand. What was that? Where had he seen it before? It seemed familiar yet not, just a flash of imagination and fanaticism and – and then the machine shuddered and bucked, and a terrible, searing crackle filled his ears.

Redin took a step back just in time for a strange, shimmering door to open in front of the console, with five more opening in turn around the circumference of the device. Each one seemed to shear through and between the space around it, rather than conventionally opening – as though he had run a knife through a sheet of fabric, then dug his fingers in and tore the hole wider. Strange, dizzying portals, blue and black like water scrubbed from the depths of the ocean, swirled and shimmered before him. Amala called for him, then shouted for the guards – but Redin was captivated. He looked over his work, laughed softly, reached forward…

…felt another moment of intense vertigo and dizziness, spun, swirled…

…and stepped through onto smooth ground, the sound of crashing waves all around, the familiar taste of salt in the air. Still the whirring continued: he spun around and saw another device behind him, the same yet different, this one older, larger, clumsier. With another step back he realized that two of its siblings stood nearby as well, one of them shattered and broken as though the engine at its core had abruptly burst, astrolabe arms twisted and shattered. More of them? He patted at his cloak, hoping that he had taken his journal along, realizing he hadn’t, then saw the five remaining portals – the one he had come through sucked in on itself, shuddered, and winked out of existence, the space around it snapping back into place – and started to move for a second.

Then, though, the distinct noise of a sword slipping from its sheath behind him caught his attention, as sharply and suddenly as the point of that sword poking up between his shoulder blades. Redin gasped, froze, and slowly raised his hands.

“You are to turn around,” said a voice behind him, strong, confident, male. Immediately he clocked that voice as belonging to a soldier, or a commander, or… “and identify yourself, clearly and quickly. We have had too many mishaps with the map device to trust anyone or – anything that comes out of it.”

Redin swallowed, looked up to the sky, and then slowly turned. When he did so he couldn’t help but press his lips together and suppress a smirk: of course the owner of that voice wore an eyepatch, stone-tan hair slicked back across his head, mustache pointing downwards in a permanent frown. He held a sword in a hand quite obviously accustomed to wielding it, though his other arm hung down at his side beneath the weight of a vicious edged mace; the armor he wore looked to have been forged in proverbial fire, with great, vaulting shoulders and a frontpiece that arced down towards a glowing red central gem.

Around this commander arrayed a handful of other rough types, warriors and soldiers, rangers and, perhaps, other scholars. Redin’s heart thumped in his chest.

“I am – Master Redin,” he said, willing the nervousness in his voice to still. “Pray tell, where am I?”

Concern and distrust shone in the soldier’s single eye. He glanced over his shoulder, nodded to one of the other warriors, and stepped around to the side.

“Wraeclast,” the soldier finally answered. The word echoed and whispered in Redin’s head. “Why are you here?”

Wraeclast. Wraeclast. Beyond the golden gears… A shiver vibrated down the scholar’s back.

“I’m not sure,” he answered, truthfully. The image of the six-armed figure echoed through his mind again. “But I think this is where I am intended to be.